Accession A2018-129 - Sandra Barz fonds

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Sandra Barz fonds

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  • Textual record
  • Graphic material
  • Records in Electronic Form

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Reference code

CA UMASC MSS 387-A2018-129

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Physical description

155 slides; 104 photographs; 14 posters; 12 calendars; 1 CD-ROM

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Biographical history

Born in Chicago in 1930, Sandra Barz completed her education at Skidmore College graduating with a Bachelor of Arts in 1952. She began her career in publishing and later became interested in Inuit art after purchasing a few pieces while visiting Canada. Thereafter she began to research and compile information relating to Inuit prints from Arctic Quebec/Puvirnituq, Baker Lake, Cape Dorset, Clyde River, Holman Island, and Pangnirtung. Her first exploration in this field involved developing, editing, and publishing 28 issues of Arts and Culture of the North from 1976 to 1984. She followed this work with a series of three volumes titled Inuit Artists Print Workbook, Volumes I, II, and III. The volumes catalogue over 8,000 Inuit print images dating from 1957 to the present, produced in the aforementioned communities, as well as prints produced independently of the Arctic co-operative system.

Barz developed her knowledge of printmaking and Inuit culture by making numerous trips to the Canadian Arctic, Alaska, Greenland, and Siberia over a thirty year period. By organizing tours to the Arctic, Sandra Barz connected participants with artists and printmakers and helped expand their appreciation for northern culture and the environment. To further connect art dealers, scholars, curators, and Inuit art enthusiasts, Barz coordinated and sponsored six Eskimo-(and Inuit Art) in-Art Conferences held in the United States and Canada. These venues included Toronto (Art Gallery of Ontario), Ottawa (National Museum of Man (currently Canadian Museum of Civilzation)), Winnipeg (Winnipeg Art Gallery), Washington, DC (The Smithsonian Institution), Chicago (The Field Museum), and Cape Dorset (West Baffin Eskimo Co-operative Limited).

Barz's papers detail over forty years of dedication to documenting Inuit artist biographies, the evolution of printmaking, and encouraging growing interest for Inuit art worldwide. She also documents the recognition given by governments to Indigenous art and culture with her collection of stamps from Europe, Greenland, United States, and Canada.

Custodial history

Donated by Sandra Barz, October 2018.

Scope and content

This accession contains records pertaining to Art & Culture of the North; Inuit art auction catalogues; Cape Dorset Annual Print Catalogues; Cape Dorset disc lists; print documentation for Cape Dorset uncatalogued commissions and collections; various research material, correspondence and publications; calendars featuring Inuit art; and posters for catalogue releases.

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Immediate source of acquisition


The arrangement of this accession has maintained the order in which it was received.

Language of material

  • English
  • Inuktitut

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Restrictions on access

Box 2, File 9 is restricted as it contains Disc Lists. Please consult the archives for further information.

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General note

Some Notes on Terms

  • Catalogued Prints are those that form part of the annual print collections produced in a given community
  • Uncatalogued Prints are prints produced by the printmaking cooperative but not included in the annual print collection. Uncatalogued Prints include:
    o Special Commissions: uncatalogued prints commissioned by dealers and organizations to distribute for their own purposes.
    o Special Collections: uncatalogued prints produced by the co-operatives over and above the production of the annual collection and offered to dealers and organizations to distribute for their own purposes.
    o Experimental Collections: considered uncatalogued prints

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Finding aid created by Emma Dux (November 2019).

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