Title and statement of responsibility area
Sandra Barz fonds
General material designation
- Textual record
- Graphic material
- Records in Electronic Form
Other title information
Title statements of responsibility
Level of description
CA UMASC MSS 387-A2018-008
Edition statement of responsibility
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Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
- Barz, Sandra
Physical description area
865 photographs; 1733 slides; 7 negative strips; 6 CD-ROM; 1 external (thumb) drive
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Archival description area
Name of creator
Born in Chicago in 1930, Sandra Barz completed her education at Skidmore College graduating with a Bachelor of Arts in 1952. She began her career in publishing and later became interested in Inuit art after purchasing a few pieces while visiting Canada. Thereafter she began to research and compile information relating to Inuit prints from Arctic Quebec/Puvirnituq, Baker Lake, Cape Dorset, Clyde River, Holman Island, and Pangnirtung. Her first exploration in this field involved developing, editing, and publishing 28 issues of Arts and Culture of the North from 1976 to 1984. She followed this work with a series of three volumes titled Inuit Artists Print Workbook, Volumes I, II, and III. The volumes catalogue over 8,000 Inuit print images dating from 1957 to the present, produced in the aforementioned communities, as well as prints produced independently of the Arctic co-operative system.
Barz developed her knowledge of printmaking and Inuit culture by making numerous trips to the Canadian Arctic, Alaska, Greenland, and Siberia over a thirty year period. By organizing tours to the Arctic, Sandra Barz connected participants with artists and printmakers and helped expand their appreciation for northern culture and the environment. To further connect art dealers, scholars, curators, and Inuit art enthusiasts, Barz coordinated and sponsored six Eskimo-(and Inuit Art) in-Art Conferences held in the United States and Canada. These venues included Toronto (Art Gallery of Ontario), Ottawa (National Museum of Man (currently Canadian Museum of Civilzation)), Winnipeg (Winnipeg Art Gallery), Washington, DC (The Smithsonian Institution), Chicago (The Field Museum), and Cape Dorset (West Baffin Eskimo Co-operative Limited).
Barz's papers detail over forty years of dedication to documenting Inuit artist biographies, the evolution of printmaking, and encouraging growing interest for Inuit art worldwide. She also documents the recognition given by governments to Indigenous art and culture with her collection of stamps from Europe, Greenland, United States, and Canada.
Scope and content
This accession contains correspondence; art catalogues and brochures; photographs, slides and photocopies of prints, artists and communities; records related to artworks and artists including price lists, promotional material, newspaper clippings, artist biographies, descriptions of artwork and disc lists. The accession also includes electronic records containing images of Sandra Barz's travels and of various print collections and a series of over-size items.
Immediate source of acquisition
Arrangement maintains the order of the files as they were received.
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
Access is restricted for files containing photocopies of disc lists. Please contact a University of Manitoba Archives & Special Collections archivist for more information.
Terms governing use, reproduction, and publication
Researchers are responsible for observing copyright legislation. Permission may be required for any form of publication or exhibition where records are not in the public domain.
Generated finding aid
Some Notes on Terms:
● Catalogued Prints are those that form part of the annual print collections produced in a given community.
● Uncatalogued Prints are prints produced by the printmaking cooperative but not included in the annual print collection.
Uncatalogued Prints include:
● Special Commissions: uncatalogued prints commissioned by dealers and organizations to distribute for their own purposes.
● Special Collections: uncatalogued prints produced by the co-operatives over and above the production of the annual collection and offered to dealers and organizations to distribute for their own purposes.
● Experimental Collections: considered uncatalogued prints
Standard number area
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Description record identifier
University of Manitoba Archives and Special Collections
Rules or conventions
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Dates of creation, revision and deletion
Revision by M. Horodyski (Feb 2019).